dc.contributor.author |
Toldrà Domingo, Josep M. |
dc.contributor.author |
Macias Solé, Josep Maria |
dc.contributor.author |
Puche i Fontanilles, Josep Ma |
dc.contributor.author |
Solà-Morales, Pau |
dc.date.accessioned |
2016-10-05T07:57:42Z |
dc.date.available |
2016-10-05T07:57:42Z |
dc.date.created |
2016 |
dc.date.issued |
2016 |
dc.identifier.citation |
Toldrà, J. M.; Macias, J. M.; Puche, J. M.; Sola-Morales, P. (2016) "El anfiteatro romano de Tarragona: cinco siglos dibujando y aún insatisfechos" a Echeverría, E., Castaño, E., El arquitecto, de la tradición al siglo XXI. Docencia e investigación en Expresión Gráfica Arquitectónica. 16th International Congress of Architectural Graphic Expression (Universitat Alcalá de Henares. Dep. d'Arquitectura, del 2 al 3 de juny de 2016), Alcalá de Henares, p. 1079-1088 |
dc.identifier.uri |
http://hdl.handle.net/2072/267127 |
dc.format.extent |
9 p. |
dc.language.iso |
spa |
dc.publisher |
Universidad de Alcalá |
dc.rights |
info:eu-repo/semantics/openAccess |
dc.rights |
L'accés als continguts d'aquest document queda condicionat a l'acceptació de les condicions d'ús establertes per la següent llicència Creative Commons: http://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.source |
RECERCAT (Dipòsit de la Recerca de Catalunya) |
dc.subject.other |
Amfiteatre Romà (Tarragona : Jaciment arqueològic) |
dc.subject.other |
Dibuix arqueològic |
dc.title |
El anfiteatro romano de Tarragona: cinco siglos dibujando y aún insatisfechos |
dc.type |
info:eu-repo/semantics/bookPart |
dc.subject.udc |
90 - Arqueologia. Prehistòria |
dc.embargo.terms |
cap |
dc.description.abstract |
In the monumental complex of the Amphitheatre of Tarragona we encounter the confluence of two singularities. On one hand, over the past five centuries, the amphitheatre has suffered a series of profound architectural changes. On the other hand, we have been fortunate that many of these transformations have been documented by means of drawings, engravings, plan
surveys and, since the early 20th century, by photographs. Graphic reproduction of Tarragona’s Amphitheatre is interesting in itself if we take into account the evolution of drawing techniques. The objectives of these graphic reproductions were the manifestation of the obsessions of different periods. |