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dc.contributor | Universitat de Barcelona |
---|---|
dc.contributor.author | Matas Pons, Álex |
dc.date | 2018-03-26T13:15:19Z |
dc.date | 2018-03-26T13:15:19Z |
dc.date | 2017-06-01 |
dc.date | 2018-03-26T13:15:19Z |
dc.identifier.citation | 1131-5598 |
dc.identifier.citation | 672244 |
dc.identifier.uri | http://hdl.handle.net/2445/121113 |
dc.format | 11 p. |
dc.format | application/pdf |
dc.language.iso | spa |
dc.publisher | Universidad Complutense de Madrid |
dc.relation | Reproducció del document publicat a: http://revistas.ucm.es/index.php/ARIS/article/view/51254 |
dc.relation | Arte, Individuo y Sociedad, 2017, vol. 29, num. 2, p. 235-245 |
dc.rights | (c) Universidad Complutense de Madrid, 2017 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.subject | Falsificació d'obres d'art |
dc.subject | Museus |
dc.subject | Art forgeries |
dc.subject | Museums |
dc.title | La virtud política de la copia en los museos |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |