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dc.contributor.author | Fillol, Santi, 1977- |
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dc.date | 2017 |
dc.identifier.citation | Fillol S. The Culprit of the image: genealogy of the act of putting forth a culprit to witness the horror in cinema. Communicaton & society. 2017;30(3):1-11. DOI: 10.15581/003.30.3.1-11 |
dc.identifier.citation | 0214-0039 |
dc.identifier.citation | http://dx.doi.org/10.15581/003.30.3.1-11 |
dc.identifier.uri | http://hdl.handle.net/10230/33350 |
dc.format | application/pdf |
dc.language.iso | eng |
dc.publisher | Universidad de Navarra |
dc.relation | Communicaton & society. 2017;30(3):1-11. |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | © Fillol S. The Culprit of the image: genealogy of the act of putting forth a culprit to witness the horror in cinema. Communicaton & society. 2017;30(3):1-11. DOI: 10.15581/003.30.3.1-11 This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium. http://creativecommons.org/licenses/by/3.0/ |
dc.rights | http://creativecommons.org/licenses/by/3.0/ |
dc.subject | Representation |
dc.subject | Holocaust |
dc.subject | Testimony |
dc.subject | Classic casuality |
dc.subject | Modern cinema |
dc.subject | Critical images contemporary documentary |
dc.title | The Culprit of the image: genealogy of the act of putting forth a culprit to witness the horror in cinema |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |