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dc.contributor | Universitat de Barcelona |
---|---|
dc.contributor.author | Socias Batet, Immaculada, 1945- |
dc.date | 2017-04-21T12:00:40Z |
dc.date | 2017-04-21T12:00:40Z |
dc.date | 2004 |
dc.date | 2017-04-21T12:00:40Z |
dc.identifier.citation | 1579-2641 |
dc.identifier.citation | 521230 |
dc.identifier.uri | http://hdl.handle.net/2445/109886 |
dc.format | 3 p. |
dc.format | application/pdf |
dc.language.iso | cat |
dc.publisher | Universitat de Barcelona |
dc.relation | Reproducció del document publicat a: http://revistes.ub.edu/index.php/materia/article/view/11517 |
dc.relation | Matèria. Revista internacional d'Art , 2004, num. 3, p. 19-21 |
dc.rights | cc-by-nc-nd (c) Socias Batet, Immaculada, 1945-, 2004 |
dc.rights | info:eu-repo/semantics/openAccess |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/3.0/es |
dc.subject | Gravat |
dc.subject | Art contemporani |
dc.subject | Engraving |
dc.subject | Contemporary art |
dc.title | El cluster de Nevia Gregorovich, una metàfora sobre la modernitat |
dc.type | info:eu-repo/semantics/article |
dc.type | info:eu-repo/semantics/publishedVersion |
dc.description.abstract |