Fede Álvarez’s film Don’t Breathe (2016) and Poe’s classic tale ‘The Tell-Tale Heart’ (1843) present a significant number of intertextualities, which pave the way for approaching Álvarez’s film as a contemporary adaptation of Poe’s tale. Both narratives comprise pervasive references to the gaze and the act of looking, methods of invigilation and disclosure, the house as a projection of its dweller, and the relevance that age and gender discourses acquire in them. This article offers a comparative analysis of both narratives with the view to prove that Álvarez’s film reflects and subverts the dynamics of surveillance and exposure displayed in Poe’s original tale.
Article
Published version
English
Maria Curie-Sklodowska University Press
Reproducció del document publicat a http://dx.doi.org/10.17951/lsmll.2026.50.1.7-19
Lublin Studies in Modern Languages and Literature, 2026, vol. 50, núm. 1, p. 7-19
cc-by (c) Marta Miquel-Baldellou, 2026
Attribution 4.0 International
http://creativecommons.org/licenses/by/4.0/
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