This article discusses Catholic reflection in the film press under the Franco dictatorship. With a leading role in education, media and culture, the assumptions of the Catholic Church on the silver screen would be anathema to attempts to analyse their operation as a phenomenon, especially their influence on children and young people and the development of some critical assumptions that enabled highlighting films with assumed values. Filmology will be essential in the field of reflection, which will involve a department at the Higher Centre for Scientific Research. With regards to critical exercise, the Catholics will reformulate and adapt main critical paradigms to their assumptions in each moment.
Castellano
Història del cinema i dels mitjans audiovisuals; Anàlisi cinema; Estética; Historia y Cultura; Teoria del cinema; Crítics de cinema; Estètica; Film theory; Film critics; Aesthetics
Universidad Complutense de Madrid
Reproducció del document publicat a https://doi.org/10.5209/rev_ESMP.2012.v18.n2.41051
Estudios Sobre el Mensaje Periodistico, 2012, vol. 18, num. 2, p. 855-873
(c) Universidad Complutense de Madrid, 2012
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