dc.contributor.author
Mérida Jiménez, Rafael M. (Rafael Manuel)
dc.date.accessioned
2024-12-05T21:38:07Z
dc.date.available
2024-12-05T21:38:07Z
dc.date.issued
2018-12-17T09:03:49Z
dc.date.issued
2018-12-17T09:03:49Z
dc.identifier
http://hdl.handle.net/10459.1/65335
dc.identifier.uri
http://hdl.handle.net/10459.1/65335
dc.description.abstract
In 1987, the Cervantine iconography was embellished with an edition oí Don Quijote drawn by Antonio Saura. This original recreation made by a contemporary artist dealing with the relationship between images and writing, has been considered a model of reading of this universal classic work. The paper analyzes the characteristics of the work and explores the meanings of the intervention developed by this Aragonese painter.
dc.description.abstract
En 1987, l'iconographie cervantine fut enrichie par l'édition du Quijote illustrée par Antonio Saura. Cette nouvelle édition origínale de l'un des artistes contemporains s'intéressant au rapport entre Timage et l'écriture, est devenue un modele de lecture moderne d'un classique universel. L'article analyse les caractéristiques du travail, et essaie de saisir les significations du travail du peintre aragonais.
dc.publisher
Universidad de Alcalá
dc.relation
Reproducció del document publicat a https://ebuah.uah.es/dspace/bitstream/handle/10017/7517/proliferacion_merida_SIGNO_1997.pdf?sequence=1&isAllowed=y
dc.relation
Signo revista de historia de la cultura escrita, 1997, núm. 4, p. 107-116
dc.rights
(c) Universidad de Alcalá, 1997
dc.rights
info:eu-repo/semantics/openAccess
dc.subject
Ciencias sociales
dc.subject
Biblioteconomía y documentación
dc.title
La proliferación de espejos: 'Don Quijote' y Antonio Saura
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion
