Waves of women: creating physical realities that transmit the feelings of an ongoing social issue

dc.contributor
Bru Bistuer, Eduard
dc.contributor
Bach Triadó, Eugeni
dc.contributor
Llobet Ribeiro, Xavier
dc.contributor
Scarnato, Alessandro
dc.contributor
Bru Bistuer, Eduard
dc.contributor
Llobet Ribeiro, Xavier
dc.contributor.author
Doglarlioglu, Serap
dc.date.issued
2021-10-29
dc.identifier
https://hdl.handle.net/2117/357138
dc.identifier
PRISMA-157804
dc.description.abstract
This is a preliminary research on approaches highlighting the attempts to design architectural representations of women and aims to prevent further hate crimes and misogyny related behaviours towards women. Misogyny is an ongoing global issue for women which ends up in discrimination, sexual harassment, physical or psychological violence and even femicides. Sexism is the foundation of hatred towards the female gender. This paper intends to find out if architecture can be used to erase mental boundaries between different social groups and in this case between opposed genders. The structure of the thesis starts with introducing ongoing issues towards women and the manipulative role of art and architecture to create an awareness for social issues. The first chapter aims to understand the design decision of the chosen architecture case studies to find out how they were shaped through the social issue they highlight. The chosen case studies include Jewish Museum Berlin, Murdered Jews of Europe, National Holocaust Monument and other phenomenological constructions which create a sensorial experience with the visitor. The chapter concludes with the importance of the relationship between form and the identity of the discriminated group and their experience of discrimination. The second chapter focuses on representations of the woman’s body through art and especially sculpting to understand the shaping woman and the embodied emotions to be able to create a design strategy which is focused on the body of woman, while also highlighting the social issue through different shape distortion techniques. The last chapter is a design reflection of the previous research and results in creating a design methodology with mixed multimedia techniques which includes figurative collages, hand sketches and clay sculpting. Therefore, the final outcome is about distorting the real shape of the woman with architecture, in order to achieve a sensational hand-crafted design.
dc.description.abstract
Objectius de Desenvolupament Sostenible::5 - Igualtat de Gènere
dc.format
application/pdf
dc.language
eng
dc.publisher
Universitat Politècnica de Catalunya
dc.rights
http://creativecommons.org/licenses/by/3.0/es/
dc.rights
Restricted access - author's decision
dc.rights
Attribution 3.0 Spain
dc.subject
Àrees temàtiques de la UPC::Arquitectura::Composició arquitectònica::Teoria i estètica arquitectòniques
dc.subject
Àrees temàtiques de la UPC::Arquitectura::Aspectes socials
dc.subject
Architecture and women
dc.subject
Architecture -- Psychological aspects
dc.subject
Women
dc.subject
Social Issues
dc.subject
Shaping Physical Realities
dc.subject
Sensorial Architecture
dc.subject
Arquitectura i dones
dc.subject
Arquitectura -- Aspectes psicològics
dc.title
Waves of women: creating physical realities that transmit the feelings of an ongoing social issue
dc.type
Master thesis
dc.coverage
east=13.3954469; north=52.50231149999999; name=Lindenstraße 14, 10969 Berlin, Alemanya


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