Comunicació presentada al MOSART Workshop on Current Research Directions in Computer Music, celebrat a Barcelona (Espanya) el 15 de novembre de 2001.
When designing audio effects for music processing, we are always aiming at providing higherlevel
representations that may somehow fill in the gap between the signal processing world and
the end-user. Spectral models in general, and the Sinusoidal plus Residual model in particular, can
sometimes offer ways to implement such schemes.
