dc.contributor.author
Porcaro, Lorenzo
dc.contributor.author
Castillo, Carlos
dc.contributor.author
Gómez Gutiérrez, Emilia, 1975-
dc.date.issued
2021-11-04T07:52:14Z
dc.date.issued
2021-11-04T07:52:14Z
dc.identifier
Porcaro L, Castillo C, Gómez E. Diversity by design in music recommender systems. Transactions of the International Society for Music Information Retrieval. 2021; 4(1):114–26. DOI: 10.5334/tismir.106/
dc.identifier
http://hdl.handle.net/10230/48901
dc.identifier
http://dx.doi.org/10.5334/tismir.106
dc.description.abstract
Music Recommender Systems (Music RS) are nowadays pivotal in shaping the listening experience of people all around the world. Partly driven by the commercial application of this technology, music recommendation research has gained increasing attention both within and outside the Music Information Retrieval (MIR) community. Thanks also to the widespread use of recommender systems in music streaming services, it has been possible to enhance several characteristics of such systems in terms of performance, design, and user experience. Nonetheless, imagining Music RS only from an application-driven perspective may generate an incomplete view of how this technology is affecting people’s habitus, from the decision-making processes to the formation of musical taste and opinions. In this overview, we address the concept of diversity in music recommendation, and taking a value-driven approach we review diversity-related methodologies proposed in the Music RS literature. Additionally, by taking as an example the wider context of Information Technology (IT), we present the elements interacting in the diversity by design paradigm. We do that to acknowledge the lack of a comprehensive framework in Music RS research to address diversity, until now mostly driven by empirical results and fragmented in different application areas. Maintaining an interdisciplinary perspective, we discuss some challenges that MIR practitioners may face when researching Music RS, going beyond the search for better performance and instead questioning the theoretical foundations on which to base future research.
dc.description.abstract
This work is partially supported by the European Commission under the TROMPA project (H2020 – grant agreement No. 770376).
This work is also partially supported by the HUMAINT programme (Human Behaviour and Machine Intelligence), Joint Research Centre, European Commission.
The project leading to these results received funding from “la Caixa” Foundation (ID 100010434), under the agreement LCF/PR/PR16/51110009.
dc.format
application/pdf
dc.format
application/pdf
dc.publisher
Ubiquity Press
dc.relation
Transactions of the International Society for Music Information Retrieval. 2021; 4(1).
dc.relation
info:eu-repo/grantAgreement/EC/H2020/770376
dc.rights
© 2021 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/
dc.rights
http://creativecommons.org/licenses/by/4.0
dc.rights
info:eu-repo/semantics/openAccess
dc.subject
Music Recommender Systems
dc.subject
Information Technology
dc.title
Diversity by design in music recommender systems
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion