Podeu consultar la versió en català a: http://hdl.handle.net/2445/12078 ; i en castellà a: http://hdl.handle.net/2445/12079
Thanks to a powerful intellectual weapon, paradox, Oscar Wilde also discovers the dark side of both Classicism and Hellenism. An accurate analysis of his works from the point of view of the Classical Tradition shows an Oscar Wilde who is quite different from the usual Philhellenic one and, above all, from the Platonic one. The aim of this article is to approach a theme which has been hardly studied by classical philologists, that is, anti-classicism and anti-hellenism as an intellectual urge.
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English
Wilde, Oscar, 1854-1900; Filosofia grega; Sofistes (Filosofia); Tradició clàssica; Literatura victoriana; Paradoxa; Mite de la caverna (Al·legoria); Platonisme; Heràclit, ca. 544-ca. 483 aC; Gòrgies, 483-ca. 380 aC; Anticlassicisme; Antihel·lenisme; Wilde, Oscar, 1854-1900. De profundis; Wilde, Oscar, 1854-1900. Picture of Dorian Gray; Wilde, Oscar, 1854-1900. Epistolari. Seleccions; Wilde, Oscar, 1854-1900. Soul of man under socialism; Wilde, Oscar, 1854-1900; Greek philosophy; Sophists (Greek philosophy); Classical tradition; Victorian literature; Paradox; Plato's cave (Allegory); Platonism; Heraclitus, of Ephesus; Gorgias, of Leontini; Anti-classicism; Anti-hellenism; Wilde, Oscar, 1854-1900. De profundis; Wilde, Oscar, 1854-1900. Picture of Dorian Gray; Wilde, Oscar, 1854-1900. Soul of man under socialism; Wilde, Oscar, 1854-1900. Letters. Selections
http://hdl.handle.net/2445/12078
http://hdl.handle.net/2445/12079
cc-by-nc-nd, (c) Gilabert, 2008
http://creativecommons.org/licenses/by-nc-nd/3.0/es/