Periodistas ante la pantalla: los inicios de la crítica cinematográfica en 'Destino'

Publication date

2018-09-25T13:34:38Z

2018-09-25T13:34:38Z

2016-12-31

2018-09-25T13:34:38Z

Abstract

[eng] This artic le focuses on the beginnings of film criticism in the Barcelona's weekly magazine Destino between 1939 and 1940. After describing Destino's evolution from its origins in 1937, we analyse the presence of Franco's ideology across film articles and reviews, and explain the causes, the main characters and the consequences of the subtle critical controversy around the film La tonta del bote (Gonzalo Delgrás, 1939), based on pilar Millán Astray's theatre.

Document Type

Article


Published version

Language

Spanish

Publisher

Universidad Autónoma de Madrid

Related items

Reproducció del document publicat a: https://doi.org/10.15366/secuencias2016.42.002

Secuencias, 2016, vol. 2015, num. 42, p. 35-51

https://doi.org/10.15366/secuencias2016.42.002

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Rights

cc-by (c) Ripoll Sintes, Blanca, 2016

http://creativecommons.org/licenses/by/3.0/es