dc.contributor.author
Gómez i Cardó, Pilar
dc.date.issued
2020-06-08T14:33:49Z
dc.date.issued
2020-06-08T14:33:49Z
dc.date.issued
2019-03-06
dc.date.issued
2020-06-08T14:33:49Z
dc.identifier
https://hdl.handle.net/2445/164820
dc.description.abstract
The association between art and literature can be traced in the history of Western culture since Graeco-Roman Antiquity. In a literary context in which rhetoric plays a predominant role, Lucian of Samosata often appeals to art and its representatives as a metaphor and reference point for rhetors, sophists and writers. The aim of this paper is, first, to review some texts (of different register and intention) in which, using artistic similes and metaphors, Lucian reflects on the technique needed for literary creation, but, above all, on the proper application of the art of speaking; second, to observe how the rhetorical technique which presides over Lucian's production, and which he uses to describe painted images, also guides his talent in narrative or dialogical compositions.
dc.format
application/pdf
dc.publisher
Universidad de Sevilla
dc.relation
Reproducció del document publicat a: https://doi.org/10.12795/araucaria.2019.i41.11
dc.relation
Araucaria. Revista Iberoamericana de Filosofía, Política, Humanidades y Relaciones Internacionales, 2019, vol. 21, num. 41, p. 233-256
dc.relation
https://doi.org/10.12795/araucaria.2019.i41.11
dc.rights
cc-by-nc-nd (c) Universidad de Sevilla, 2019
dc.rights
http://creativecommons.org/licenses/by-nc-nd/3.0/es
dc.rights
info:eu-repo/semantics/openAccess
dc.source
Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
dc.title
El arte de la palabra y palabras de arte: Narración, diálogo y descripción en Luciano
dc.type
info:eu-repo/semantics/article
dc.type
info:eu-repo/semantics/publishedVersion